August 21st, 2020
Available on Spotify, Apple Music, YouTube Music and everywhere else you stream.
Recorded, Mixed and Mastered by Jeremy Ferguson at Battle Tapes
All songs BMI
All songs by Todd Kemp
Thank you most importantly to Jeremy Ferguson, whose role in making this album went so far beyond just recording us doing our thing. He truly felt like a fourth member of the band throughout the process, and his creativity, skill, and graciousness are beautiful things to behold.
Thanks also to Matt Glassmeyer, Brad Kemp, and Jim Lewis, who listened to these songs in such focused and generous ways, and who provided much-needed and totally-employed advice.
released via yk Records · YK-074
You weren’t there in Todd Kemp’s apartment in 1998 when he told me, “I’ve been listening to Liz Phair and Pavement and I want to play rock music again.” It was only two Todds, as his son says. And despite his idiosyncratic choice of “rock” references, I understood what he meant. At least, I thought I did. I thought he meant music played with guitars and drums in common time.
For nearly twenty years after that moment, Todd pursued rock music. He wrote and played it with The Carter Administration and Century Club. While he often composed every part of his songs for guitar, bass, and drums, he was mainly seen sitting behind the kit, counting out 4 beats per measure.
But as Century Club was recording their final output, Todd was trying to find his voice. And it wasn’t rock music. At least, it isn’t what most of us associate with rock music. Common time--the 4/4 unit that propels the vast majority of rock songs--is nearly absent from The Prudish Few’s pieces. The guitars are there but Kemp plays a 4-string tenor guitar and a 6-string guitar tuned a perfect fourth above standard tuning just as often as he does a traditional instrument.
Anchoring The Prudish Few are drummer Jay Leo Phillips and bassist Mike Shepherd, themselves from Apollo Up, Tower Defense, Shibboleth, Lotushalo and a lengthy pedigree of Nashville post-rock mainstays. Within this trio, chiming guitars, squawking keyboards, punctuating bass, and frenetic drums count out odd meters, shift direction on a dime, and lead the listener down unexpected paths.
But within this, Kemp has found his voice. The Prudish Few make the unexpected sound familiar, the unusual catchy. Kemp’s singing voice--frequently in tight harmonies with Shepherd’s--is vulnerable and approachable, his lyrics heartbreaking and human. All while pursuing irregular rhythms and occasional absurdity.
You weren’t there when, after a performance from a percussion ensemble, Todd told me “They’re playing rock in the form of chamber music. I’m making chamber music in the form of a rock band.”
But you can be here now for The Prudish Few.